sistermagpie: Classic magpie (Blobs of ink)
sistermagpie ([personal profile] sistermagpie) wrote2007-07-21 06:35 pm
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Deathly Hallows

I feel weird writing this post, because I don't really feel like posting, yet it seems like I should, and then I think--what, do you imagine the public is waiting on pins and needles for your words? Get over yourself!:-D

Anyway, I didn't much like it. Perhaps my feelings will change, but stop here if you don’t want to read any negative stuff. I don't have any rants prepared or anything or want to harsh anybody's buzz. (But misery also loves company!) I was talking to someone who's asked me what I needed from the book, what I wanted to happen or what would have made me satisfied, and the truth is, I don't have an answer. I don't have a list of prescriptive criticism, or think things were done badly, or should have been done a different way.

Well, except one little thing, which couldn't be helped. When that white doe showed up I never doubted for a second it was Snape's Lily!Patronus (cause she's a lady!James!). We'd seen Arthur's and Kingsley's Patronuses talk, and oh, how I wanted that beautiful sparkly stag to come up to Harry and tell him to get this Quest going already in Snape's sarcastic voice.

I've never loved these books the way some do--which should not be taken as a criticism of people who do. I just mean that I know there are people who re-read the books over and over as comfort, and that's not something I ever did. I didn't ever want to re-read to spend time with these people or in this world. There are other books I do feel that way about, books that other people find meh. Basically, I felt like JKR was writing a story of good and evil, and life and death, that resonated with her and satisfied her, and felt like a triumph for her--just not me. So I was a bit left out of the story, objectively even seeing characters doing good, brave things, and just not sharing much in the emotions. More than once I felt like I was seeing more story outline/structure than story so that it seemed very contrived (a couple of times Harry himself seemed to admit it) and made it feel like nothing was building to anything.

What it mostly made me do is go over all the ways I was reading it wrong, making my issues more central than the author really considered them. I don't think I was ever so off as, say, a Harmonian banking on the Hippogriff o'love or anything like that, and some things that happened I did predict (Snape/Lily, obviously, and DDM!Snape). But in general I think I was reading Rowling a bit too much like a Tolkien fan, and maybe too much as a Jungian (not that I'm any expert on Jung, but I was reading from my own idea of his stuff). And I think when JKR said that she was Christian and if she talked about her faith we'd know the ending, I immediately began interrogating from the *wrong* Christian perspective and got that wrong too.

Contrary to what some may have thought at times-or not-I don't hate the good guys. Still don't hate them, just still would not want to spend time with them or re-read the books to spend time with them. The characters I liked the most I think less of now or am just kind of confused by, which is unfortunate. I find Harry affectionately naming his child Albus Severus downright creepy--but that wasn't the first time in the book where that kind of thing happened.

Not sure what I predict fanfic-wise. I wonder if people might not start writing some interesting stuff. I did at one point think how I wanted to take a favorite character and put him in a different story.

Oh, also I've been dreading the epilogue for years, because I've always hated epilogues. Even when I was too young to know the name for them I hated them. Some books I guess can make a case for them being appropriate. HP is really not one of them that I can see. There was no reason I could see for needing to see these people married with children. The one good thing I read about it was after it was leaked, before I read it, and I read a comment where someone said the epilogue read like any cliché H/G fic...or any cliché post-war H/D fic.;-)

[identity profile] horridporrid.livejournal.com 2007-07-22 01:22 am (UTC)(link)
I feel weird writing this post, because I don't really feel like posting, yet it seems like I should, and then I think--what, do you imagine the public is waiting on pins and needles for your words?

Hee! Well, I for one was glad to see you'd posted. :)

Anyway, I didn't much like it.

I was actually bored by it. I mean, I kept waiting to get to bits that I'd enjoy and it never happened. Even the final Snape chapter was just too little, too late, if that makes sense.

So I was a bit left out of the story, objectively even seeing characters doing good, brave things, and just not sharing much in the emotions.

Yes! I really had no emotional resonance with any of the characters. Less and less as the story dragged on, until it got to the point that I was actually rooting for folks to die. Just to kind of break up the monotony.

That part where Mrs. Weasley dropped the "B" word? (capslocked, no less) I could just feel JKR over my shoulder saying "See? See? Isn't she a bad-ass?" and it was just... eye-rolling, frankly. For me, anyway.

And I think when JKR said that she was Christian and if she talked about her faith we'd know the ending, I immediately began interrogating from the *wrong* Christian perspective and got that wrong too.

I'm honestly confused about that remark of JKR's. Exactly what about her faith would have given away the ending? Even the "resurrection" wasn't one. So that part baffles me. The two story-lines that I thought might go the "Christian" route were Draco's and Snape's. And neither did, really.

Or, maybe I was looking at the wrong perspective as you said. I guess I'm just confused as to what the "right" Christian perspective is.
ext_22: Pretty girl with a gele on (Default)

[identity profile] quivo.livejournal.com 2007-07-22 01:57 am (UTC)(link)
"See? See? Isn't she a bad-ass?"

Look, I think most of the book can be defined by this exact frigging phrase, only about JKR or something. Too bad I've seen the Sopranos, and watched The Wire, and know what REAL badassery looks like :(

[identity profile] horridporrid.livejournal.com 2007-07-22 02:09 am (UTC)(link)
Too bad I've seen the Sopranos, and watched The Wire, and know what REAL badassery looks like

Hee! Too bad the Trio hadn't watched something similar. Then maybe they'd have caught a clue or two about being stealthy. (Reason #239 it's better to be a muggle.)
ext_22: Pretty girl with a gele on (Default)

[identity profile] quivo.livejournal.com 2007-07-22 02:13 am (UTC)(link)
Oh good lord, and the saying-Voldemort's-name-really-is-bad-for-you bit was so...and then Harry breaking it. And then nothing being said about that singular bit of stupidity, no conclusions being drawn to, hmm, Voldemort's similar state of mind at the moment?

Jesus H. Christ indeed.
ext_6866: (Blah blah blah blah blah)

[identity profile] sistermagpie.livejournal.com 2007-07-22 02:24 am (UTC)(link)
Maybe they were all like me and just grateful for the DEs to show up so something would happen.
ext_22: Pretty girl with a gele on (Default)

[identity profile] quivo.livejournal.com 2007-07-22 02:27 am (UTC)(link)
LOL, perhaps indeed. I noticed that - whenever things were dragging, ATTACK OF THE BAD FOLKS (the good folks pwn with BAD spells that are okay because the good folks are using them yay)

*sighs*

[identity profile] horridporrid.livejournal.com 2007-07-22 02:24 am (UTC)(link)
Oh, oh! Or taking Moody's eye from Umbridge's office! Didn't that end up with people getting killed or captured or something? And Harry was all "yeah, I grabbed it" and everyone was like "oh, okay". It was just... the stupid was just knee deep and it kept on piling on.
ext_22: Pretty girl with a gele on (Default)

[identity profile] quivo.livejournal.com 2007-07-22 02:26 am (UTC)(link)
And no one seemed to GET IT, either. It felt like a thin sliver of goodness had several others spliced, smushed and stuck to it - sometimes, the goodness shone through, and other times...well. Photochop.
ext_6866: (WWSMD?)

[identity profile] sistermagpie.livejournal.com 2007-07-22 01:58 am (UTC)(link)
I was actually bored by it. I mean, I kept waiting to get to bits that I'd enjoy and it never happened. Even the final Snape chapter was just too little, too late, if that makes sense.

I was very very bored at points. As I said above, by the time Luna's father started in on the Deathly Hallows I didn't think I'd make it. The wedding was where I felt like it really started to drag. At one point where Harry thinks how they're so close to the Weasleys and Ginny is so close I thought Yeah, that's what it feels like--as if we've been wandering in your back yard for months.

Yes! I really had no emotional resonance with any of the characters. Less and less as the story dragged on, until it got to the point that I was actually rooting for folks to die. Just to kind of break up the monotony.

I remember after they escaped from the Manor I said, "Huh. Two people died. I should feel something. I don't." I just felt like if we had a list of characters we had just crossed two more off.

That part where Mrs. Weasley dropped the "B" word? (capslocked, no less) I could just feel JKR over my shoulder saying "See? See? Isn't she a bad-ass?" and it was just... eye-rolling, frankly. For me, anyway.

Oh god yes. That was exactly my feeling.

I'm honestly confused about that remark of JKR's. Exactly what about her faith would have given away the ending? Even the "resurrection" wasn't one. So that part baffles me. The two story-lines that I thought might go the "Christian" route were Draco's and Snape's. And neither did, really.

Well, I could be wrong (obviously I have been!) but I thought it was the whole idea that it's so amazing for an individual to actually agree to die for the rest of the world, and this personal choice is very very awesome. I think this might be the kind of focus you get in stuff like Passion of the Christ. (Having read about controversy in that movie, I found myself wondering if the Slytherins might be like the unworthies of that movie a bit.)

[identity profile] horridporrid.livejournal.com 2007-07-22 02:20 am (UTC)(link)
Well, I could be wrong (obviously I have been!) but I thought it was the whole idea that it's so amazing for an individual to actually agree to die for the rest of the world, and this personal choice is very very awesome.

Oh. Yeah, that makes sense. So it really is Harry = Jesus, which is just, blech. Especially with him throwing out Unforgivables left, right and center. (And an apparent natural at Imperius, picking it up so quickly and all. That's our hero, ladies and gentlemen!)

I think this might be the kind of focus you get in stuff like Passion of the Christ. (Having read about controversy in that movie, I found myself wondering if the Slytherins might be like the unworthies of that movie a bit.)

I missed that film myself, but yeah from the commentaries (particularly Christopher Hitchens, IIRC) I can totally see the Slytherins as the unworthies. Which, as per CH anyway, pretty much boiled down to the Jews. That the Slytherins were all pretty much bad struck me as incredibly... distasteful.
ext_6866: (Magpye)

[identity profile] sistermagpie.livejournal.com 2007-07-22 02:31 am (UTC)(link)
I didn't see the movie either, I'm just going on things I read about it. I wrote a thing after OotP about how the Slytherins seemed a bit like anti-Semitic stereotypes then (while of course also being Nazis, because you can't be evil without that!). I don't think that JKR is saying anything anti-Semitic--they're not "really" Jews or anything. But in terms of their place in the scheme of things, they seemed to fulfill the same type roles. I wonder how they manage to fill up a quarter of the school with them.

I guess I shouldn't really be surprised by Harry casting Unforgivables, since Harry's personal character was never ever in doubt. Dark Magic just bounces right off him, really.

[identity profile] horridporrid.livejournal.com 2007-07-22 02:41 am (UTC)(link)
I don't think that JKR is saying anything anti-Semitic--they're not "really" Jews or anything. But in terms of their place in the scheme of things, they seemed to fulfill the same type roles. I wonder how they manage to fill up a quarter of the school with them.

Right, it's not as clear cut as an easily identified anti-Semitic thing, which is an understood "bad thing". But the Slytherins were painted as the "other" I think. And with all the Slytherins siding against Harry (except Slughorn and Snape, who both seemed like apologists of a sort) it was like DH was saying that yes, the "other" is bad and deserving of anything you throw at them.

I guess I shouldn't really be surprised by Harry casting Unforgivables, since Harry's personal character was never ever in doubt. Dark Magic just bounces right off him, really.

Right. It's not your actions it's just you. Which seems to fly in the face of some of Dumbledore's truisms, but then I'm not sure what Dumbledore really believed in the end.
ext_6866: (100% Ravenclaw)

[identity profile] sistermagpie.livejournal.com 2007-07-22 02:49 am (UTC)(link)
The Slytherins who were redeemed were personally redeemed, and became separated from the house. I remember when I'd sometimes mention DD's odd reaction to Harry's "OMG, I could have been a Slytherin and I'm so ashamed!"--where he just reassures him he's a Gryffindor and the sword proves it. I remember one time somebody explaining to me that Dumbledore really isn't agreeing with him that Slytherin is a bad thing to be. But in DH I thought it was very much proved that it is a sign of poor character--when DD compliments Snape's bravery in GoF he even does it by suggesting that maybe they Sorted him too early. The only time Slytherin "traits" (if they have them) are admirable is when they turn up in non-Slyths. They seem basically incapable of the kinds of choices for good that normal people make easily.

[identity profile] seductivedark.livejournal.com 2007-07-23 04:38 pm (UTC)(link)
I guess I shouldn't really be surprised by Harry casting Unforgivables, since Harry's personal character was never ever in doubt. Dark Magic just bounces right off him, really.

Maybe this is the religion thing. Calvinism holds that you either are or aren't redeemed, no matter what you do. Friends, who had some weird Baptist/Calvinist thing going, told me once that if a Saved (slated for salvation from before conception) person got too close to being really bad, or headed toward being reprobate, God would just take that person before they crossed the line. "It is our choices that show what we truly are, far more than our abilities." Show. Not shape, inform, mold, etc. We make these choices because of who we were born to be.

"In particular, predestination concerns God's decision to determine ahead of time what the destiny of groups and/or individuals will be and also includes all of Creation." Wikipedia, on Calvinism: http://en.wikipedia.org/wiki/Predestination

Goodness, or badness, is predetermined, and revealed by our choices.

Who? What?

[identity profile] lachlanm.livejournal.com 2007-07-22 04:48 am (UTC)(link)
sistermagpie: I remember after they escaped from the Manor I said, "Huh. Two people died. I should feel something. I don't." I just felt like if we had a list of characters we had just crossed two more off.

What does it mean if I just read that scene a couple of hours ago, and my reaction to your post was, "What? Somebody died in that scene? I can't remember that...."?

Dobby finally came to mind. But it took a while. And I still can't recall the other one.
ext_6866: (Nevermore)

Re: Who? What?

[identity profile] sistermagpie.livejournal.com 2007-07-22 04:59 am (UTC)(link)
You'll laugh even more when I remind you--it was Peter Pettigrew. The guy whose big payment of his life debt to Harry we've been waiting for since PoA. He outdid Sirius' death by drapery.

[identity profile] biichan.livejournal.com 2007-07-22 06:08 am (UTC)(link)
Exactly what about her faith would have given away the ending?

I'm guessing it's when Harry got his Jesus on.

[identity profile] horridporrid.livejournal.com 2007-07-22 02:20 pm (UTC)(link)
Yes, I think that was it. It's just... I mean, there's not anything deep to it. It's formulaic, like the hero falling with his arms outflung evoking a crucifixion image. Anyone at all familiar with Christian images will get it. It doesn't need any understanding or knowledge of the writer's faith.

But I think it's the deeper that I got tripped up on. I assumed (hoped?) JKR was going for a more thoughtful, (and I almost cringe using this word but it can't be helped) moral ending. So I was looking for a more indepth reference to her personal belief system or her understanding of Christianity. IOWs, like Magpie said, I was looking for a completely different story than the one she was writing.
ext_6866: (WWSMD?)

[identity profile] sistermagpie.livejournal.com 2007-07-22 02:37 pm (UTC)(link)
Yeah, like I said I wonder if it's not the specific focus on how incredible it is to make this sacrifice for others, which unfortunately isn't that impressive to me. I think it also probably hooks into her feelings on death, which also didn't resonate with me, like it may be understood to her that choosing to die is amazingly brave--the same distinction she made between Lily and James. This also bringing it back to Harry again.

To bring in LOTR again, I can see so many reasons why that story resonated more with me. Frodo there is agreeing not just to probably die, but to fail, bringing in the humiliation factor that's often missing in the Passion (that is, it was there in the real Passion, but it's often overlooked in the telling). People were honest with Frodo about what he was doing. He wasn't celebrated for it or treated as a savior. In the end, was there really any reason that this whole quest had to be kept secret from everyone? Why on earth did Harry have to destroy the Horcruxes himself? One expects Voldemort to make a mistake like insisting that *he* be the one to kill Harry even though if he'd just let Crabbe do it he'd have won. But it's like Dumbledore wanted to make Harry as special as possible so his hero story would go the way he wanted.

[identity profile] horridporrid.livejournal.com 2007-07-22 02:59 pm (UTC)(link)
Did anyone else get a "yay, suicide!" vibe from the book? Because, yes, there's a very odd take on death and being willing to die, IMO. (And how bizarre that the Ravenclaw and Slytherin ghost mascots were a murder/suicide pair? No hope for those houses, apparently.)

I think you've hit the nail on the head with this:

Frodo there is agreeing not just to probably die, but to fail...

There wasn't a sense at all that in sacrificing himself Harry might screw everything up. It was just, if I die we win, so I'll go die now. It was frankly, hard for me to read as all that sacrifical in the end. Especially as Harry was surrounded by all his beloved dead as he headed off to be killed.
ext_6866: (WWSMD?)

[identity profile] sistermagpie.livejournal.com 2007-07-22 05:35 pm (UTC)(link)
(And how bizarre that the Ravenclaw and Slytherin ghost mascots were a murder/suicide pair? No hope for those houses, apparently.)

Once again, a Slytherin who's not so bad turned out to have been distinguished by a laser like focus affection on one specific person whom he desired. And killed. Um, yay.

There wasn't a sense at all that in sacrificing himself Harry might screw everything up. It was just, if I die we win, so I'll go die now. It was frankly, hard for me to read as all that sacrifical in the end. Especially as Harry was surrounded by all his beloved dead as he headed off to be killed.

Exactly! It reminded me of the Lily stuff again, where so many of us couldn't figure out why it was in any way unique that Lily would put herself in front of her baby--wouldn't any mother do that? Why is Harry wondering if Neville's would? And here again, Harry's choice actually seems like one that most people (erm, non-Slytherin people) would make.

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[identity profile] mondegreen.livejournal.com 2007-07-23 12:23 pm (UTC)(link)
I think the ultimate humiliation, here, is to show cowardice even in the face of death. Voldemort humiliated Harry's supposed corpse by announcing to everyone at the castle that he had run for his life before being killed. But it never really felt like a sacrifice or possibility of failure -- because we knew (through reading Harry's own POV) that Harry was alive, that he would be able to prove to everyone that he didn't run away. That he was courageous and brave and stood there like a martyr for the GREATER GOOD. Heh. hence the whole drawn-out speech before battling with Voldemort: it rang much like, "Hey, guys, hey. I was totes brave and didn't run out on you, see, see?"

That's why I found Snape (life and) death strangely Old Testament-y. Yeah, he was "forgiven" in the sense that his memory was preserved: he wasn't a coward. Yet, and I'm certainly no expert, it seemed like Snape spent his entire life in penance to make up for past sins, as opposed to forgiveness brought about belief. I suppose if you look at it in a chronological way, it makes sense: before there was Potter Christ, you had to face a wrathful God. Except everyone still hates the Slytherins in the end.
ext_6866: (Me and my boyfriend.)

[identity profile] sistermagpie.livejournal.com 2007-07-23 02:36 pm (UTC)(link)
That does seem like the basic point-and it's weird to think anyone would have any reason to believe Voldemort of all people about how Harry died.

The weird thing about Snape is I felt like she didn't even have him doing penance--at least not willingly. He was being punished and doing things to make up for what he had done, but I didn't feel like it really redeemed him at all beyond what he felt from the beginning: Shit, I killed Lily.

[identity profile] slinkhard.livejournal.com 2007-07-24 12:15 am (UTC)(link)
The whole HP series sort of reminds me vaguely of that essay on Pet Semetary we discussed one time, where the whole story (which the essayist believed was a failure, thematically speaking) is not just about the fear of death, but reveals what appears to be a fixation about it of the authors.

I mean, the fact that Lily's sacrifice, while heroic, is painted as something unbelievably awe-inspiring (I thought she'd just hand over her baby to the psycho killer!) is almost creepy.
This is how terrifying death is, that a choice which would seem to be a no-brainer to most people (not that you can tell until you're in the moment, but I can't imagine anyone even caving for a stranger's child) is not even expected to be the norm but is supposed to be a one in a million style act of bravery.

And yet on the other side you almost have the worship of death with the Gryffindors who don't seem capable of playing tag unless there's the chance of a fatality; and this contempt for anyone who might be frightened not only of dying, but of injury or pain, where it's literally more honourable not just to be brave but to reject fear (while still remaining human, blah-de-blah - still haven't started the book, but I rolled my eyes hearing about Harry's "childish" line wondering if death hurts. My heartstrings, they were plucked! Not.) completely; where the ultimate evil is represented by a fear of death.

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ext_6866: (Pope Magpie)

[identity profile] sistermagpie.livejournal.com 2007-07-22 02:30 pm (UTC)(link)
LOL! Yup, that's how it went. With the focus on the fabulousness of that.